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It was a realization that Warheit has also come to, as well. "Many systems are very good on the surface, but when you get into manipulating color within ICC profiles, it doesn't allow you to do it. Some of them don't allow the flexibility that a high-end shop needs. A fleshtone that I use for J. Crew is going to be different from the one that I use for Donna Karen. We also need to be able to do isolated color changes and some color management systems don't allow you to do that," he says.
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