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"We extracted the files, created metallics and multiple bump colors to enhance each image, did preliminary proofing on the Kodak Approval, and ran a second generation of proofs on the Creo Trendsetter using Polaroid's DryTech film and Matchprints in order to better simulate the metallics and bump colors," Tennant explains. "The job literally came in on a Wednesday and was printing on our Komori Lithrone eight-color press by Friday."
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- Companies:
- Eastman Kodak
- Heidelberg
- Presstek Inc.
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