Digital Color Proofing -- Proof or Consequences

The question of dots/no dots really falls more into the category of verifying the mechanics of the process, rather than proofing of color. Other examples include trapping and imposition. These issues may be critical to the success of the piece, but are overshadowed by color concerns.

Pressing Proofing Issues
In the past, proofing systems and prepress operations were sometimes accused of making "pretty pictures" that didn't represent what was realistically achievable on-press. The trend toward merging prepress and press operations has helped bridge the gap. However, the integration possible with having both functions under one roof has raised another issue. Should the goal be to match the proofing system to the press' capabilities, or should the press' output be made to match the proof?