by Dennis E. Mason
The just-finished Drupa 2004 in Germany was unquestionably the most comprehensive graphic arts trade show in the world. Nowhere else but every four years in Düsseldorf can one see the breadth and depth of equipment, supplies, software and processes on display for two weeks.
Although Drupas are dominated by the likes of Heidelberg, MAN Roland and KBA, with their particularly press-centric focus, it also provides a forum for companies that are far less well known, and for firms that only wish to be known. And while many journey to Drupa to see the latest in presses, or a complete selection of silk screen equipment or converting gear, Drupa provides the opportunity to gain some unique insights if essentially viewed from a distance.