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"The drive towards large-format perfectors is stimulated in a large degree by the need for process time reduction," explains Doug Schardt, product manager, Komori America. "In other words, why do in two passes on a press what can be done in one?"
Schardt admits this rhetorical question seems self-evident—if it was that simple, all printers would have moved to perfecting presses years ago. But perfectors of the past brought with them a host of issues that slowed the process down to the point that it actually was more efficient to run two passes, he says.
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