Adobe Systems

The worst terrorist attacks on U.S. soil in our country's history left more than 6,500 people missing and presumed dead, reduced a pair of 110-story skyscraper buildings to an unimaginable pile of twisted metal and human debris, and left many Americans feeling more vulnerable than they had ever thought possible. The multi-pronged terrorist attack of September 11 was unfathomable: four airliner hijackings, two of which resulted in collisions with the World Trade Center towers in New York City and a third that left a large cavity in the Pentagon in Washington, DC. Fortunately, it appears passengers thwarted a fourth kamikaze mission aimed at

NEW YORK—A generation of Americans will remember where they were on the fateful morning of September 11, 2001, a day in which hatred lay two glorious New York buildings in ruins and burned a swath into a Washington landmark, costing thousands of people their lives. For Tim Plumer Jr., business development manager for ePaper solutions at Adobe Systems, the day began uneventfully. He had scheduled a meeting to showcase Adobe Acrobat for Viacom at 42nd and Broadway, and was preparing a visual presentation when someone entered the room and announced that one of the World Trade Center towers had been struck by an airplane.

Marching Off to On Demand and VUE/Point NEW YORK—The On Demand 2001 conference and exposition is slated to run at New York's Jacob Javits Convention Center from February 28 to March 2. Over the course of the event, corporate printing professionals reportedly will learn about improving customer relationship management (CRM), increasing response rates with 1:1 marketing, outsourcing successfully and lowering costs while driving sales. Print-for-profit professionals will gain insight into the best migration strategies, the newest technology, what the competition is doing, as well as what corporate customers want next. The event managers have announced the addition of two more keynote sessions: "e-Printing

I first starting writing about printers and the Internet in the summer of 1995; a mere five years ago in human time, a lifetime ago for technology. Since then I've continued to harangue you in this column and in my seminars. Get with the Internet, get with the Web, I've admonished. This really is going to affect printing and publishing—it's inevitable. The problem is that I've been a little short on specifics about what exactly a printer is supposed to DO about the Web. Was I suggesting that printers learn a lot more about the Internet and the Web? (Definitely.) Was I suggesting that you

WHITE STONE, VA—Top technologists and strategic planners from leading printing, premedia and publishing companies around the world met in Orlando, FL, recently at the R&E Council/GCA Digital Smart Factory Conference to discuss integrated manufacturing in the printing industry. The meeting, co-sponsored by the R&E Council and the Graphic Communications Association, was an outgrowth of the 1999 Digital Networked Production Systems conference, staged by the R&E Council to explore the efficiencies possible in automating the print manufacturing process. The conference was co-chaired by Orlando Boleda, vice president of product development at Hart Graphics, and Stephen Franzino, vice president of technology for Courier Companies.

Streamlining prepress production with PDF optimizes cross-platform functionality and consistent, predictable output. While some commercial printers are content to watch PDF's development, others are embracing the still-emerging technology full force. Which approach is yours? BY MARIE RANOIA ALONSO This is the second installment in Printing Impressions' ongoing look at PDF workflows in practice at a variety of commercial printing and digital prepress operations. Part I appeared in the June issue. PDF FILES are independent of platform or operating system. PDF files are small and self-contained, with fonts, images and graphics embedded within each PDF document, streamlining electronic transmission and preflighting. PDF files offer

When Seybold closed the doors to its 1999 San Francisco expo last month, three technology trends stood dominant: the Internet, PDF and the quest for the all-digital workflow. BY MARIE RANOIA ALONSO If one potent word could sum up the energy, enthusiasm and very direction of Seybold San Francisco, held for the final time this century at the Moscone Center last month, it could easily be: Internet. The Internet, the World Wide Web. Seybold San Francisco was a virtual debutante's ball for the global gateway that is the Internet. New companies emerged as major players for the commercial printing market—all gearing to harness the

With PostScript 3, PDF and PostScript Extreme delivering on their promises to facilitate faster print production, visionaries at Adobe are casting their view to PDF refinements—and uncovering the next great print production performer. BY MARIE RANOIA ALONSO The introduction of PostScript placed Adobe Systems at the center of a growing web of desktop publishing solution providers. With the launch of Adobe's PostScript Extreme architecture and the rise of PDF, now, more than ever, Adobe is standing at center stage. What are Adobe's star qualities? Originally designed to demonstrate that PostScript could be imaged at or above engine speeds, Adobe PostScript Extreme expanded its

Two years ago, Apple was in trouble. Its stock was plummeting. Consumers were flocking to the domain of Bill Gates. Business Week reported the creator of the Mac was in a certain-death spiral. Enter (for a command performance) Steve Jobs. Four straight profitable quarters, several technology announcements and the company is now the Wall Street Journal's most successful technology stock for 1998. Why? Because Apple "Thinks Different," of course! BY MARIE RANOIA ALONSO "Think different," the latest ad campaign of the inventor of the Macintosh, symbolizes creativity, innovation and truth. The "Think Different" theme also taps into the core desire that burns in the

BY MARIE RANOIA ALONSO Seybold San Francisco may not have the same prepress hardware punch as its East Coast counterpart, but digital file delivery, digital content manipulation, color management and Internet design tools are enough to get the industry pointed in a Golden Gate direction. What to expect? Count on the show emphasizing content manipulation and color management—from creation through output. Be ready to see a variety of software tools to handle everything from creation of files to data storage, archival and retrieval—not to mention unique enhancements to the movement of repurposing digital content for the World Wide Web. Get ready for a hearty serving of alphabet soup—as