Agfa Graphics

BY MARIE RANOIA ALONSO As the platesetter market matures, more fully automated and semiautomated devices, perhaps more than the market can sustain, are redefining the role of platemaking to meet the demands of the CTP environment. Thermal imaging technology, functionality to support Adobe's Portable Document Format (PDF) and PostScript 3 availability now join reliability and throughput as inherent traits of many of today's new platesetter launches. To prepare for new platesetter launches on the horizon later this year, Printing Impressions offers a portfolio of devices and checks in with the technology providers poised to take them to market. Whether plug-and-play platesetting solutions, thermal

IRVINGTON, NJ—Back in business after a merger-gone-wrong, Michael Roesch, president of Stuyvesant Press (SPI), says he's just kicking into high gear, taking advantage of what he considers the opportunity of a lifetime. A nasty split-up almost cost him the 20-year-old, $2 million business he grew from (almost) scratch, but the outcome—SPI's recent successful reopening, after an 18-month hiatus—was worth the tribulations of the tumultuous (business) divorce. As the proud re-owner of a completely renovated, newly equipped commercial printing operation—which includes five presses headed up by a four-color, 40˝ Heidelberg Speedmaster perfector, a full bindery, an Intergraph high-end workstation with a full complement of Macs

BY MARIE RANOIA ALONSO When it comes to the task of imposition, prepress managers are looking for integrated solutions—tools that can allow the adoption of an all-digital CTP environment. Why? The technological enhancement of digital imposition software, large-format computer-to-film devices and new launches in the CTP market have put greater emphasis on the role electronic imposition plays in moving to an all-digital domain. Factors encouraging new launches of imposition software encompass movements from in-RIP trapping, to the utilization of Adobe Portable Document Format (PDF) and Adobe PostScript 3, to full-scale automation the likes of CIP3. In more detail, catalysts for imposition software tools include the following

BY MARIE RANOIA ALONSO Handling the sheer volume of scans seems to be a more daunting, more demanding task. It isn't solely the imagination of your prepress manager. Lucky for the prepress manager, scanning has been brought to an all-time level of ease, thanks to a robust product market laden with devices that boast built-in gradation curves, preset color look-up tables and expanded capabilities to digitize reflective and transmissive art at an impressive array of scanning depths and optical densities. From the AgfaScan T-5000 from Agfa Div., Bayer Corp., to the vertical-drum Tango from Heidelberg Prepress to the Fuji C-550 or the EverSmart

BY MARIE RANOIA ALONSO The sixth installment of Printing Impressions' yearlong focus on CIP3 activities turns to Agfa Div., Bayer Corp., and the prepress innovator's introduction of CIP3-compliant architecture within its Apogee PDF-based Workflow Production System. Apogee PrintDrive, a multi-page buffer for more than one RIP, is the newest member of Agfa's family of RIPs—and its most innovative workflow enhancement, to date, from a CIP3 standpoint. Currently, Agfa, one of the founding members of the CIP3 consortium, is working closely with MAN Roland and other press manufacturers to define and refine the digital links between prepress and press. Apogee, which comprises the Apogee

BY MARIE RANOIA ALONSO The mere mention of color management and the status of color consistency in today's graphic arts industry rarely results in a black-and-white discussion. Color delivery in the entire design and production phase, from digital camera to high-end scanner to digital proofer or on-demand printer, is mission-one critical. What better way to get a read on today's color concerns than to poll the minds of the industry? The question Printing Impressions posed was simple, but comprehensive: Where are we today in color management and color manipulation and what do we, as an industry, need to do to improve our color

BY MARIE RANOIA ALONSO Color management systems, woven into digital proofing devices, are trying to deliver—and some argue are now delivering—effective, repeatable digital bluelines. Up-and-coming models for standardization, from commonly used International Color Consortium (ICC) profiles to new initiatives from the General Requirements for Applications in Commercial Offset Lithography (GRACoL), are refining the color delivery potential of the digital proofer. To better gain a proof positive perspective on the performance of color in today's digital proofing environment and what the market has and will soon have to offer, Printing Impressions polled a sampling of technology providers. On a company by company basis,

For the third year, Printing Impressions has compiled a ranking of the top color on-demand print providers in the nation. The 1998 edition features a few changes. In the past, difficulty in obtaining accurate on-demand sales figures made it more practical to list the top companies alphabetically, without individual ranks. But increased on-demand printing revenues for digital color press users have made an actual Top 50 ranking possible for the first time. This year, rankings were determined by self-reported on-demand sales figures. While there are other companies who would qualify for this listing, we could only include those who responded to our survey. 1)

For SPG Graphics, the signs couldn't be any clearer. Customers wanted quicker turnarounds, but they weren't about to sacrifice quality—or cash—for speed. Their expectations pointed SPG to one sole destination: digital printing. "It was inevitable," explains Beth Coleman-Stout, marketing and digital business manager for the Indianapolis-based company. "Customers were going to continue to expect jobs faster, but they weren't going to change their expectations from a color or quality standpoint." SPG found that color digital printing could meet these demanding expectations for small-quantity runs better than conventional offset. "We felt strongly that we had to get into digital in some way, shape and form,"

Variable data printing is a remarkable tool—especially in direct marketing environments—for pulling individuals into a subject, a theme, a sales pitch. Imagine the value of producing documents rich in custom-organized, image-intensive designs, fully personalized for each recipient. While the on-demand printing systems at today's digital printing houses and high-end commercial sites are actually delivering these personalized prizes, the real enablers of this growing marketing phenomena are the software packages. As a starting point, let's take a look at EFI's Fiery FreeForm variable data solution. Now available with the Fiery ZX line of color servers, FreeForm enables customers to use their existing workstations (PCs, Macs