Heidelberg

Finishing gear filled a few halls at DRUPA, with computerized integration more prevalent than ever before. BY BOB NEUBAUER Computers have integrated themselves into the postpress world more than ever. From monitoring machine functions to linking with digital workflows, the latest bindery equipment is smarter than ever. Take Heidelberg's Stitchmaster ST 400, shown in its immense finishing area at DRUPA. Data generated at the impositioning stage of the prepress process can be loaded into the ST 400's press-setting program. Also, feeding, gathering, stitching and cutting are all monitored to prevent time-consuming jams. Here are some of the highlights from the show. MBO demonstrated the new Navigator Control-Touch and

As a leader in computer-to-plate technologies, Garlich Printing was selected as the site of Creo's recent video shoot. Having wholeheartedly embraced CTP, Garlich is "airing" its expertise of the technology. BY CHERYL A. ADAMS Most employees are bound to get the "heebie-jeebies" when informed they are having their picture taken—be it for a magazine article, a company press release or even a self-promo brochure. Posing for a professional, corporate photograph is enough to make any worker nervous. But having a still picture taken isn't nearly as nerve-racking as having a film crew show up at your door. That's when you really start sweating bullets.

Of all the issues, and they are many, facing the graphic arts and printing industry today, none can ignite a heated debate more quickly than the issue of computer-to-plate (CTP) vs. computer-to-film (CTF) among their respective ardent supporters. In the past few years, as CTP became a reality with efficient, dependable and cost-effective equipment, increasing numbers of companies replaced aging imagesetters with platesetting devices. Why? Because many printers saw the new breed of CTP devices as an opportunity to springboard to a shorter production workflow without the added consumables and chemicals of film processing. Also, the new digital, CTP plates are more uniform, longer-wearing

With NexPress 2100 unveiled, Heidelberg ready for the Xerox challenge, Indigo and Xeikon bolstered, Screen showing intent, Presstek enabling on-press imaging for Adast, Ryobi, Sakurai and soon Didde—and more manufacturers, not the least of which is MAN Roland, targeting full-production digital—there is a new zest to digital printing. It ain't just about on-demand any more . . . BY MARIE RANOIA ALONSO Say goodbye to on-demand digital printing—at least the on-demand part. It is now June 2000, the much hyped DRUPA 2000 is over and the digital production color press is an emerging force to be taken very seriously by even the most

The benefits are tangible: PDF preserves file integrity, allows for more predictable final output and facilitates smooth, cross-platform publishing. Is PDF right for you? For your customers? Six commercial printers tell their tales. BY MARIE RANOIA ALONSO (Editor's Note: This article is the first in a two-part series focused on PDF workflows in place at a range of commercial printing operations.) It can, if created correctly, embed images and fonts within a single file, eliminating the problem of missing elements. It can be used for remote proof routing between designer and prepress provider. It can act as the digital master throughout an entire CTP

Of all the issues, and they are many, facing the graphic arts and printing industry today, none can ignite a heated debate more quickly than the issue of computer-to-plate (CTP) vs. computer-to-film (CTF) among their respective ardent supporters. In the past few years, as CTP became a reality with efficient, dependable and cost-effective equipment, increasing numbers of companies replaced aging imagesetters with platesetting devices. Why? Because many printers saw the new breed of CTP devices as an opportunity to springboard to a shorter production workflow without the added consumables and chemicals of film processing. Also, the new digital, CTP plates are more uniform, longer-wearing

In a world of ever-tightening deadlines and faster production cycles, color proofing is a major stumbling block. Time is required to make the proof, especially in an analog workflow, and delivery and review add to that time. And while nothing can be done about either the creation or review stages of proofing, the delivery of the proof is an area that would seem ripe for compacting. Or at least that's what we've been hearing for some time now. Yet remote proofing is used for just a small fraction of all print materials produced. Why? If service is one of the primary differentiators between companies—a debatable

Digital output devices didn't capture all the headlines. Manufacturers of traditional sheetfed and web presses also demonstrated cutting-edge models. BY MARK MICHELSON Even the12,000 gallons of flame-retardant water, which came gushing down from sprinklers onto a MAN Roland web press in the 250,000-square-foot PrintCity hall the afternoon before the exhibition was to open, couldn't dampen the DRUPA spirits of this press manufacturer. The flooding resulted from a pipe burst, and MAN technicians had to work through the night to ready the press for opening day. And, while other printing press exhibitors didn't have to face such an 11th-hour, potential disaster, their enthusiasm was

Digital output devices didn't capture all the headlines. Manufacturers of traditional sheetfed and web presses also demonstrated cutting-edge models. BY MARK MICHELSON Even the12,000 gallons of flame-retardant water, which came gushing down from sprinklers onto a MAN Roland web press in the 250,000-square-foot PrintCity hall the afternoon before the exhibition was to open, couldn't dampen the DRUPA spirits of this press manufacturer. The flooding resulted from a pipe burst, and MAN technicians had to work through the night to ready the press for opening day. And, while other printing press exhibitors didn't have to face such an 11th-hour, potential disaster, their enthusiasm was

BY CLINT BOLTE Representatives of the 43 member companies of the International Cooperation for Integration of Prepress, Press and Postpress (CIP3)—two companies joined during DRUPA—used this international venue as another opportunity to meet and discuss the evolving status of their efforts to develop integrated production standards leading to computer integrated manufacturing (CIM). Increasing anticipation in this meeting was evident due to two developments: the fourth "P" for Process to represent the new Job Definition Format (JDF), as well as the potential juggernaut of JDF versus printCafe's PCX specifications. Forged by Adobe, Agfa, MAN Roland and Heidelberg beginning nearly a year and a half