manroland Inc.

With NexPress 2100 unveiled, Heidelberg ready for the Xerox challenge, Indigo and Xeikon bolstered, Screen showing intent, Presstek enabling on-press imaging for Adast, Ryobi, Sakurai and soon Didde—and more manufacturers, not the least of which is MAN Roland, targeting full-production digital—there is a new zest to digital printing. It ain't just about on-demand any more . . . BY MARIE RANOIA ALONSO Say goodbye to on-demand digital printing—at least the on-demand part. It is now June 2000, the much hyped DRUPA 2000 is over and the digital production color press is an emerging force to be taken very seriously by even the most

Digital output devices didn't capture all the headlines. Manufacturers of traditional sheetfed and web presses also demonstrated cutting-edge models. BY MARK MICHELSON Even the12,000 gallons of flame-retardant water, which came gushing down from sprinklers onto a MAN Roland web press in the 250,000-square-foot PrintCity hall the afternoon before the exhibition was to open, couldn't dampen the DRUPA spirits of this press manufacturer. The flooding resulted from a pipe burst, and MAN technicians had to work through the night to ready the press for opening day. And, while other printing press exhibitors didn't have to face such an 11th-hour, potential disaster, their enthusiasm was

Digital output devices didn't capture all the headlines. Manufacturers of traditional sheetfed and web presses also demonstrated cutting-edge models. BY MARK MICHELSON Even the12,000 gallons of flame-retardant water, which came gushing down from sprinklers onto a MAN Roland web press in the 250,000-square-foot PrintCity hall the afternoon before the exhibition was to open, couldn't dampen the DRUPA spirits of this press manufacturer. The flooding resulted from a pipe burst, and MAN technicians had to work through the night to ready the press for opening day. And, while other printing press exhibitors didn't have to face such an 11th-hour, potential disaster, their enthusiasm was

BY CLINT BOLTE Representatives of the 43 member companies of the International Cooperation for Integration of Prepress, Press and Postpress (CIP3)—two companies joined during DRUPA—used this international venue as another opportunity to meet and discuss the evolving status of their efforts to develop integrated production standards leading to computer integrated manufacturing (CIM). Increasing anticipation in this meeting was evident due to two developments: the fourth "P" for Process to represent the new Job Definition Format (JDF), as well as the potential juggernaut of JDF versus printCafe's PCX specifications. Forged by Adobe, Agfa, MAN Roland and Heidelberg beginning nearly a year and a half

The stakes are high and the iron-producing players are few in the world of 40˝ and larger sheetfed presses. Today, manufacturers are looking at what printers want in a press tomorrow. BY ERIK CAGLE The crystal ball is working overtime at manufacturing facilities around the world. While you make your way at DRUPA 2000 through the hundreds of thousands of people cramming the aisles of the 18 buildings at Messe Dusseldorf, the R&D people, the tech heads and marketing gurus are looking past the present. They're thinking DRUPA 2004. Phrases float through their brains: increased automation, but what's left on the press?...what is the

Job tickets—which have been around since Gutenberg, if only in an elementary form—have evolved from handwritten envelopes to computerized, customized, global documents. In the new millennium, that evolution continues as job tickets are transformed from mere digital versions of their paper-based predecessors to virtual windows in the production process. BY CHERYL A. ADAMS "Our crystal ball indicates that, not only will print buying on the Internet become widespread, but also, in many cases, the management systems that the printer uses [such as those for electronic job ticketing applications] will be run totally over the Internet, as well," says Carol Andersen, president of Micro

Digital printing is finally well beyond concept acceptance, as On Demand proved last month. New moves in on-press imaging and color server technologies—and the Internet—are delivering on the promise of digital printing. BY MARIE RANOIA ALONSO Given the impossible-to-ignore high velocity of the Internet as it targets multiple areas of the print production process lately, it is no surprise that the Internet is also targeting the time-sensitive profit center that is on-demand digital printing. True to current form, the dotcom emphasis at On Demand in New York was staggering, but not surprising—new online solutions for on-demand document fulfillment, new Internet tools for

Loveland, CO—A pair of companies, one in the Midwest and one in the western section of the U.S., has each experienced a great deal of sales growth, and in both cases executives at the company credit that growth, in part, to new additions on the pressroom floor. When Cheyenne, WY-based Vision Graphics opened its new 25,000-square-foot plant here, the first piece of equipment on the floor was a 40˝ MAN Roland 700 perfector with a coater extension. Six months later, after the company's sales grew 65 percent, Vision installed a second press, a 55˝ MAN Roland 900. "We stick to the principles of running a good

The graphic arts world shifts its attention to Dusseldorf for the World Series of Printing. For some manufacturers, it's a coming-out party for new heatset web offset press hardware. BY ERIK CAGLE Don't worry, it's not too late to book a hotel within a half-hour commute of Dusseldorf for May's DRUPA 2000 exhibition. Should nothing be available, there's always nearby Brussels or Amsterdam. Yes, when it comes to attending the world's foremost ink-on-paper (et al) exhibition, early planning is absolutely necessary. The same can definitely be said for the many manufacturers, technology providers and assorted vendors that will be displaying their goods and

Lieber Vater! In many ways, CIP3 can give thanks to the DRUPA exhibition in Germany. DRUPA 1995 was the event that really brought attention to the CIP3 initiative. DRUPA 2000 will see several conceptual aspects of the initiative realized. BY MARIE RANOIA ALONSO In late 1993, Heidelberger Druckmaschinen initiated discussions in Germany with the Fraunhofer Institute for Computer Graphics. The two organizations, later joined by bindery innovator Polar-Mohr, formed the foundation for the CIP3 cooperative—a study group known as CIP3, the International Cooperation for Integration of Prepress, Press and Postpress. By DRUPA 1995, the CIP3 movement took official form. Its objective: Facilitate data exchange