SAN LUIS OBISPO, CA—California Polytechnic State University now can give is students training on the Indigo TurboStream six-color digital offset press, thanks to a donation from Indigo N.V. Dr. Harvey Levenson, head of the school's Graphic Communication Department, commended the manufacturer for officially joining Cal Poly as a "Partner in Education." (www.indigonet.com) SPARTANBURG, SC—Altman Printing has been designated a Certified Microsoft Publisher 2002 Service Bureau. The certification process required the company to develop a specialty in outputting and printing electronic document files from the software program. (www.altmanprint.com) PITTSBURGH—Presstek is helping the Graphic Arts Technical Foundation (GATF) renew its commitment to
Presstek Inc.
CAMBRIDGE, MA—Pageflex Inc. and Xerox Corp. have entered into an agreement that gives Xerox the right to resell Pageflex's Mpower and Persona variable-data software on a non-exclusive, worldwide basis. Pageflex software also will be incorporated into a soon-to-be-announced solution from Xerox for the personalized and customized printing market. (www.pageflexinc.com and www.xerox.com) FAYETTEVILLE, AR—University of Arkansas Printing Services has added a new digital Xerox 6180 Book Factory system to its facility. Consisting of a digital printer and several binding units, the system was chosen by Rich Bundsgaard, director of printing services, after he researched a variety of alternatives. The university is
Digital Ins and Outs Tech Alert is the yearly conference at which the Graphic Arts Technical Foundation (GATF) presents the results of its latest original research studies. At the recently held 2001 conference, studies presented in the digital arena included "Digital Imaging Press Print Attributes," "Digital Photography" and "Remote Proofing—State-of-the-Art Report." According to Dr. Richard M. Adams, study presenter and a GATF research scientist, the digital imaging press study wasn't intended to be a "shoot out," whereby output from competing devices is compared to determine the "winner." Still, manufacturers of the presses in question were asked to print press sheets from a digital
BY MARK SMITH Offering the whole kit and caboodle of services to the demanding software/high-tech industry is the stock and trade of GlobalWare Solutions in Haverhill, MA. It can be a high-pressure business. With software releases, developers are always trying to do one last bug check or tweak of the code before the CDs are duplicated, manuals printed and product boxes assembled. If it's a major release, anxious buyers have been known to line up at midnight at local computer stores to be the first to get their hands on the product. So the shipments have to be on time. The need for quick turnaround puts
Now there is a color digital production press to suit every printer's desire. Is it time to throw your hat in the ring? BY CAROLINE MILLER Color digital press manufacturers are setting their sights on the commercial printer. No longer is digital printing just for the on-demand and quick printing market segments; it has finally matured to the point where commercial printers can begin to seriously consider integrating these output devices into their business strategy. Today, digital presses offer print quality that is close to offset quality. The mix of improved quality, coupled with quick turnaround, speed and flexibility, is a recipe that
Having just returned from Chicago, home of the Graph Expo trade show, I must now return to the drudgery of daily work. And right now, that means forecasting the future of the prepress industry. If only prognosticating were easy. Frankly, it's anything but. The data are clearly contradictory. On the one hand, sales are rising (although profits are not) and all the leading researchers seem to agree that this is likely to continue for the foreseeable future. On the other hand, there looms the impact of the Web, which most pundits predict will severely impact commercial printing's future. Yet, if navigating one's way through the crowds tromping
BY MOLLY JOSS In a little more than five years, computer-to-plate (CTP) technology has moved past the early experimenter phase and has moved into the later stages of the early adopter stage. Some might even argue it's moved into the early stages of the mainstream phase. However you measure it, it's difficult to argue that CTP is a flash-in-the-pan technology. Still, it hasn't yet found its way into every print shop in the nation and around the world. Widespread acceptance to that degree is yet to come. Wanting to get an inside look at how CTP is coming along, Printing Impressions recently spoke
BY MOLLY W. JOSS When computer-to-plate (CTP) technology expanded from the single choice of conventional platesetters to the dual choice of conventional or thermal, commercial printers were faced with twice the choices. If you wanted CTP, you bought conventional or thermal and you bought plates that the system vendor said matched the platesetter. Things got more complicated earlier this year as plate manufacturers started their pre-DRUPA announcements and as DRUPA unwound in May. Many of the major plate vendors announced new plates; some introduced three, four or more new offerings. Some announced thermal plates that reduce, or remove, the processing steps. What's more,
Execs from Dome Printing, Lake County Press, PlanetPrint.com, Graphic Enterprises and R.R. Donnelley & Sons sit down with Printing Impressions to map out the state of color management, PDF, remote proofing, thermal plates and digital asset management. BY CAROLINE MILLER The curtain has closed on DRUPA 2000 and the fairground lights have faded, returning Dusseldorf, Germany, to normal. The grand dame of international shows is over for another four years. But while the steady hum of new presses that once filled the air in Dusseldorf has gone silent, the buzz surrounding much of the technology has increased. That DRUPA buzz will turn
DUSSELDORF, GERMANY —With more than 450,000 visitors and more than 1,900 exhibitors, could any one, single event be more of a global measuring stick for technology trends and new directions for the printing industry than DRUPA 2000—a 14-day mega-event that took over this charming river city? On the technology for digital printing—the show's highlight—and digital prepress, DRUPA 2000 accomplished the following key objectives: * The global move toward accepted, viable on-press imaging and true production digital color presses—built for even the most traditional of commercial printing operations. Signalling a new direction for digital printing at DRUPA 2000, Presstek, supplying on-press
